Comes, each night of Domingo de Ramos, the Prendimiento- Jesús del Prendimiento and María Santisima del Gran Perdon, so is as it says- Capuchinos to Malaga, folding hard corner of Ollerias with Carreteria, is given a tour of the center, and again early in the morning the neighborhood.

As well, more or less, every year, with greater or lesser difficult (more of the first the the second) and a journey of many years. From perchelera del Carmen parish, passing by the extinct School of Franco (of enormous fruits in vocational training) to the anchor, then to Capuchins.

And now, on the 50th aniversary of his blessing (1961-2011) comes Leonardo, Leonardo Fernandez, and paints them- because times of posters and proclamations- are a sign of luxury. Superb- Full of colorful and sensitivity; simbolic and real; direct and emotional. Jesus and Judas, as two neighboors, without being, rising on the Hill distric.

Occupies the central part the image of Jesus, at the time of delivery, “would a kiss with deliveries to the son of man? ( Lc. 47) Resignation and compliance, submission to what will, inevitably, come. Position who has to comply with what was written in the figure of Judas.

Does Leonardo, in his breathtaking realism, which the figures of Jesus and Judas; float on the neighborhood in the center of the double-headed eagle of San Juan, and at the sides, so emblematic monuments such as La Alcubilla water in the corner of Calle Refino and square, with the Inmaculate because Malaga proclaimed the Dogma almost two hundred years before Rome. And it is that we are here as well.

Clouds, Moon of the month of Nisan presence an act the would be the change of history - personal history for many- and History, the other part of the world. Leonardo is dropped and expects it, and who does not want the thing, as does he, with the simplicity of the sublime, the thoroughness and accuracy of the well made, with a song that proclaims the eventful momento of powers, in which the painter and his work are.

Jose Morales